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Monday 30 January 2023

THE FOLLY OF SHEERNESS

Once he acquired his Ariel Motorcyle, flamboyantly red in colour which gave it a dynamic appearance, my father became fond of weekend jaunts to local places of interest. They were usually places he recalled from his childhood years growing up in the children's home in Chatham.   The boys, if the ensured they had been of good behaviour, were frequently taken on trips with an educational edge to them financed by local philanthropists keen on doing good in the community.  He recalled these outings fondly and sometimes I wondered why.  My mother tolerated these trips down Memory Lane just as long as they involved an afternoon picnic and my brother was too young for his opinion to count.  I wasn't expected to harbour opinions in the first place and in any case I was quite keen on picnics.

I remember well the Saturday when we visited The Folly of Sheerness because it rained quite heavily causing us to surreptitiously picnic in the Family Room of the nearby pub called The Ship of the Shore, though it didn't particularly resemble a ship.   We were the only family using the room at the time and because my father ordered half pints of Mild for himself and my mother and lemonades for me and my brother, plus two packets of crisps, the woman beind the bar kindly turned what my mother said was a Blind Eye to our egg and cress sandwiches.  We had of course abandoned the idea of making tea on a camp fire but the lemonades made up for that.

I wasn't altogether impressed with The Folly but I listened politely to the story behind it because the crisps were not going to be distributed until I did.   Apparently in the late 1850s a ship called The Lucky Escape ran aground nearby carrying a cargo of cement in barrels which a day or two later floated to shore by which time the contents were wet.  Before long an enterprising local broke open the barrels and used the cement blocks to build the Folly which probably was quite a good way of putting them to some use.  

There was a great deal of confusion as to where the cement had come from in the first place although there was in fact a cement works along the coast at Queenborough Creek which survived in business into the next century.  It might have been sensible to have simply made an enquiry with them.

Whatever the truth of the matter, I couldn't help thinking that Rochester Castle was a great deal more interesting overal and not such a long trip in the sidecar of the Ariel either!

Saturday 28 January 2023

Memories of the Domestic Architecture of Gravesend

It was not until I started school at Wombwell Hall when I was thirteen that I consciously realised how charmed I was by houses.  The fact that real people, living breathing individuals had actually slept, ate, read books, wrote letters and had hopes and dreams the same as me – and added to all that, had actually lived in that wonderful old house was thrilling and always half felt as if someone with a great imagination was making it all up specifically to fool me.  I actively looked forward to each school day for the next three years!

I realised by the time I was five years old that the terrace cottages in York Road, where we lived in Northfleet could not have been described as elegant; not that I knew that word at the time.   I must have been half aware of the street’s deficiencies for more than a year or two because whenever we visited Aunt Mag in her semi-detached Council house in Iron Mill Lane, Crayford, I never failed to be immediately approving of the bathroom, firmly inside the house.    My Aunt’s family were never reduced to donning raincoats in stormy weather simply in order to pee with a modicum of comfort.   I knew better than to discuss this in too much detail with my mother because although she professed that she certainly didn’t envy her sister for her upscale living conditions,  she frequently commented to me on the bus going home that the lav could certainly do with seeing the occasional splash of bleach.   I had little idea what bleach was but a reasonable understanding of what she meant. However, despite the inadequacies of my aunt’s cleaning I enjoyed the visits we made to Crayford and admired the house and those of the neighbours not just for the bathrooms but for the splashes of stained and coloured glass that in those days were still largely intact in the windows and doors of these interwar homes.   Mostly these were glass diamonds adorning bay windows but there were also occasional and exciting re-creations of archetypal sunrise motifs on the upper lights of front doors.

On afternoon walks with my mother and her good friend Grace Bennett to Lime and Robina Avenues and Laburnum Grove which were planned and executed primarily to observe how those further up the social scale were coping with life, I was always enthused to survey similar flashes of coloured glass, designs of flowers, leaves and grasses, that early in the twentieth century would have been described as New Art.     

As I grew older I began to admire the houses closer to Gravesend, those in Burch Road in particular.  Burch Road was named for Benjamin Burch who apparently built Crete Hall down by the river.   His son in law, Jeremiah Rosher very much wanted to create an entire suburb of fine houses for those who could afford them which I later realised would only be those we called Toffs because they were the people who went in for buying houses rather than renting them.   For many years I was not familiar with anyone who actually owned a house in any case so it was somewhat of a foreign concept.

Jeremiah Rosher was said to have been influenced by the fine homes and garden squares of West London where only the home owners had keys to the greatly admired green spaces.  

Full of enthusiasm Rosher flamboyantly engaged a famous architect, H E Kendall and gave him full details of the dream suburb he was intending to create which was to be called unsurprisingly, Rosherville. Perhaps his enthusiasm waned when he began to run out of money but his plans never came to total fruition although the impressive  houses created in the early years of the nineteenth century still stand and there is still a great deal to admire about them. 

The elderly couple who lived next door to us for some years, Ted and Annie Bessant had a daughter called Ena of whom my mother heartily disapproved  and described as Much Married which was a label she gave to anyone who had been through the scandal of divorce and had remarried.    Ena was a garrulous woman, much given to wild exaggeration.  She had two young daughters with whom I was instructed to play from time to time.    I didn’t care much for the daughters but I cultivated the older one, Evalina, in the hope that I would be invited inside the house in which they had lived since they conveniently rid themselves of their original husband and father and replaced him with a rather successful travelling salesman called Norman.  They now rented the lower half of a Burch Road home.   Unfortunately the house had fallen into some disrepair but when I did manage to inveigle my way inside there were still enough vestiges of its former grandeur remaining to stir the imagination.  The grand marble fireplace still stood proudly in place in what had been the Drawing Room and it was clear that the homes had been early recipients of piped water.    And naturally enough I was delighted to note that there was a proper inside bathroom on the second floor landing, smelly and in need of much bleach though it was.

Jeremiah Rosher’s proposed suburb still stands firmly between Gravesend and Northfleet, the Northfleet Parish boundary stone being set into a wall on the Overcliffe just to the rear of the Pier Road houses.   One researcher into the history of the area claims that an early owner was a jeweller who lived in a four bedroom, two reception room home.  The kitchen was in the basement.  With him lived his wife, maiden aunt, five children and one live in servant.

Rosherville had been infamous for the popular pleasure gardens nearby though they had long since gone by the time I was growing up.  Old Nan, however, remembered them well or at least said she did and so did Old Mrs Bessant who, unlike my grandmother, said that they were definitely not a place you would take a Nice Girl to.   Apparently the important statues that had once been in the Gardens had been stored for safe keeping in one of the chalk cliff caves during the war and were re-erected in 1965 outside a new block of flats where almost immediately they were vandalised.

My mother and her sisters said they recalled well a Rosherville pub called The Elephant’s Head that they patronised as teenagers for reasons now forgotten but Aunt Martha said it was because their sister Phyllis had a suiter by the name of Frank who rented a room from a Miss Lavender who lived in a very smart house called Bycliffes demolished just before the second world war.    For good or for bad the housing in the Rosherville area remained to the forefront of my most desired list until I was at least twelve years old, no matter how tarnished and smelly the toileting arrangements were.  However by the time I was heading towards my thirteenth birthday I was becoming just a little bit in love with what was on offer on the south side of The Overcliffe.   I read somewhere that the highway had been constructed around 1800 as a turnpike road to replace the original which had become dangerous because of the extensive chalk excavations.

The first houses there were built in about 1835 on the north side of the road but were apparently demolished in 1953 to make way for a car showroom.   I should of course remember this happening but I don’t.   It was originally meadowland and called Fairfield, named after the annual Gravesend Fair.  The houses on the southern side were built between 1860 and 1870, each having a long rear garden leading to pastureland.   How I longed to investigate the interiors of these buildings, each looking full of promise from without.   I didn’t speculate as to whether there were inside bathrooms as I felt it certain that the residents of such upmarket properties would demand them.  Many years later in Auckland I met Jennifer who told me she had spent the formative years of her childhood in Gravesend, living in one of the very Overcliffe houses that I had admired so fervently.   I was of course, very impressed but did not ask any questions relating to bathrooms or toilets of any description for fear of sounding ill mannered. 

 Sometimes when Molly and I walked into Gravesend by ourselves I mentioned that it might be exciting to live in one of the earliest Overcliffe houses those built in 1830 but she maintained that her own most favourite house was that which housed the library at Northfleet.  Nevertheless she agreed that living in a place with so many rooms could be a liability and she feared she might be forced to take in lodgers should she ever own it.   She  ventured that aiming for a smaller property like those around the corner from us in Springhead Road would be much more manageable and she did wonder if the library might be like biting off more than she could chew.  

When my father died and my mother started to work for the Lovells in Darnley Road, the houses there quickly joined my list of favourites.   I no longer remember the Lovells’ address which is a pity but I do recall their impressive dining room with the vast oval table and round back chairs upholstered in red plush.  Later, as a teenager I briefly went out with a young man who worked at The Kent Messenger and lived in one of a pair of Darnley Road villas built in the Gothic Revival Style.    I terminated our relationship when it was clear I wasn’t ever going to be invited inside his grandparents’ rather impressive house which I longed to examine in detail.

Anyone with an interest in domestic architecture could not fail to be impressed by Harmer Street which along with Berkley Crescent formed the first stage of another ambitious speculative plan this time attributed to Brighton Architect Amon Henry Wilds who also designed the Town Hall in the High Street.  The houses date from the early 1830s and in my twenties, accompanied by my brother, I found myself inside one of them.   I don’t recall all of the details now but the then new owner, from what was at the time called Bombay,  was about to open a restaurant in the town.  He showed us through his property acquisition with pride and although there was a great deal of work to be done to upgrade the building, it was not difficult to visualise what life within those rooms might have been like early in the previous century.   However, it was with a small shock I realised that they may not have enjoyed the privilege of indoor plumbing – although I examined the house as carefully as I was able, there were no signs of a bathroom.  I toyed with the idea of asking to use the facilities but immediately abandoned this notion for fear of being directed into the back yard.   I still hope I was mistaken about the absence of this important feature.

It was to be decades before I developed an appreciation of those terrace cottages in York Road where my life began, said to have been built in 1840 to house workers in local industry, chalk or cement workers maybe.  At the time such houses were often constructed on small parcels of land that were sold off to different builders, resulting in differing styles emerging.   York Road certainly differed from Shepherd Street and Buckingham Road.  

The houses came equipped with gas lights, curved Victorian grates in bedrooms and parlour and small closed ranges in the kitchens.   The sculleries had coppers for heating water and washing and shallow sinks with wooden draining boards.   Baths of course were portable and brought into the scullery for the occasion.   The outside cistern lavatories that I so detested were I now realise a great improvement upon what went before them – privies that took a variety of forms:  bog-house, pail and earth closets.  These were regularly emptied by Nightmen which sounds horrific. 

Over the years I have been able to investigate the interiors of many differing homes in various styles in a number of places in the world.   The domestic architecture of Gravesend still remains especially vivid in memory though!