The trip to the circus in December 1950 was announced by Aunt Maud and it had been organized by somebody at Dusseks where Uncle George was working at the time. He was doing very well there too, my Aunt said, and was definitely well thought of and that was why he had what my cousin June described as First Dibs for tickets. I didn’t really know what First Dibs actually meant but her general excitement and hopping around on one leg quickly conveyed the idea that it put us in a favourable position. Aunt Mag was looking quite annoyed that it wasn’t her Harold in line for compliments but on this occasion it wasn’t and that was all there was to it.
I very much wanted my mother to put our names down for
tickets because I had recently read a number of books about circuses and to me that
whole sphere of entertainment seemed like an exciting extravaganza to be involved
in even if simply as spectators. But
she started off by saying she wasn’t made of money and didn’t really know if we
could afford it, especially at such an expensive time of year, just before
Christmas. But the Aunts began to
persuade her and at the time I wasn’t altogether sure why they were so
persistent although years later I began to realise it was on account of my
father being a womanizer. Not that I
knew what that entailed at the time but over time it became clear to me that he
was incapable of passing by a pretty face, particularly so if the face belonged
to a woman in uniform. He especially
favoured the clippies working out of the Bus Terminus in London Road but
neither did he pass by nurses from the hospital in Bath Street if there was the
slightest possibility of attracting their attention. My mother said it was the War that did it to
him and this weakness of his led to a great many arguments between them which
always ended in my poor mother collapsing in floods of tears. November 1950 had been particularly
difficult for her on account of Dolly the clippie and a trainee nurse called
Brenda. The Aunts, quite sensibly,
decided she needed a treat to take her mind off the problem.
My mother took some cheese and pickle sandwiches and a lemonade bottle of cold tea and I took an Enid Blyton book from the library to read on the journey, The Circus of Adventure, which I had read before. I had also recently re-read Mr. Galliano’s Circus and Hurrah for the Circus, also courtesy of Enid Blyton. At this stage I did actually rather prefer Noel Streatfield’s The Circus is Coming because already her characters seemed to me to be just a little more realistic. I didn’t voice this opinion too loudly, however, for fear of somehow or other being seen as disloyal to Enid Blyton. Years later, as an adult, I fell upon a book entitled Circus Shoes, also by Noel Streatfield and was disappointed to find it to be simply The Circus Is Coming retitled. Nevertheless, overall there is no doubt that the books of Noel Streatfield were rather better written than those of Enid Blyton no matter how in love I was with the latter for a number of years. I sat on the long rear seat of the charabanc between a group of cousins and hugged the book to my chest and felt very, very excited. Pat pointed out that bringing a book with me at all was stupid and playing I Spy was a much better idea but I ignored her because she thought she knew everything.
Old Nan was already complaining that back in her day a proper charabanc would have an open top and be pulled by horses and Aunt Martha said well then we’d never get there would we so she for one was glad that the ones Dusseks had booked were modern and thoroughly up to date. Little Violet said she was desperate to get to Olympia to see the dear little dogs that came from France and could do so many tricks because she’d seen them on Pathe Gazette at the Saturday morning pictures and could hardly believe how clever they were. From my reading I was bursting with information regarding the exploits of clowns, acrobats, jugglers and trapeze artists so I began to tell her about them but she said if they weren’t animals then she wasn’t interested because it was particularly those dear little dogs she wanted to see.
My father had quite unexpectedly revealed after a pint
at The Queen’s Head a day or two before that as a boy he had himself at one time hankered
after a career in the circus. Bertram
Mills had built up quite a reputation he told me, and had been born in
Paddington, London and was the son of an undertaker, Halford Mills. The family owned land in Hertfordshire where
the circus horses were sent to rest when they weren’t performing in the
ring. Just after the First World War they
had financed circus visits each year for the orphan boys of the Medway Children’s
Homes and he was able to attend on two occasions. The first time he went the Royal Family had
been there and everybody sang God Save The King and cheered. On the second occasion the boys were given a
special tour of the menagerie before the show by the Mills sons themselves, Bernard and
Cyril and there had been a fish and chip supper before returning to
Chatham. That had been an outing hard
to beat and had made a great impression upon him. He had never forgotten getting up close to
the horses, elephants and tigers. If he
wasn’t wrong those two lads now ran the business entirely alone because he had
read somewhere that the great Bertram had died in 1938. I
asked him if he had wanted to be a trapeze artiste or perhaps a rider in the
troupe of Liberty Horses but he shook his head vigorously and said he had not
fancied being a performer at all but simply wanted to look after the elephants.
I said little but thought to myself
that being a bareback rider on the horses would have appealed to me a great
deal more, though if it was possible riding atop of an elephant would have been
a dream come true too.
The programme had a dramatic front cover featuring the elephants and their handlers and within listed all the acts we were about to see in the order we would see them with a lot more photographs and biographical details of the performers. Ann kindly let me look through it for a few minutes until it was firmly removed from me by my aunt. I began to feel quite depressed again until I realized that our group was to be almost the first allowed into the Big Top and seated on the benches high up in the stadium before others. We were able to observe as the seating below us gradually filled and while we waited for the show to begin two clowns entertained us with a variety of antics. I was only vaguely amused by them, waiting impatiently for the entrance of the liberty horses which in the books I had read always opened the show. I was almost bursting with excitement as the circus music began, refrains that I seemed to know so well yet didn’t know at all, heralding the entrance of the ringmaster with his whip, also a totally recognizable figure in red jacket, tall hat and blue and white striped jodhpurs. I was still clutching the library book so tightly that the cover had become clammy so I decided to sit on it instead, nicely levering myself just a little higher.
The show began in earnest just after seven pm and over the next hour and three quarters all the performance items I had been reading about paraded before us in the ring below. There were liberty horses with their daring riders, acrobats whose exploits were so amazing it was hard to believe they were human, jugglers and tightrope walkers, trapeze artists and unicyclists, a team of little white dogs wearing costumes which delighted Little Violet with their tricks. There were terrifying fire eaters and lions jumping through hoops and described as the kings of the jungle. But to me the performance that became ultimately of greatest interest were the elephants, swaying majestically around the ring, through the well trodden sawdust and looking like the real kings. How I envied the young girls astride them in their sparkly costumes looking so glamourous and mysterious. How I longed to be one of them. I was almost in tears when the time came for the final parade because it had all been so exhilarating I was fearful that nothing in the future could ever live up to it. It was hard to leave that magical place.
When I noticed that Ann had abandoned her programme
that had cost an arm and a leg on the seating adjacent to The Circus of
Adventure library book that was also very nearly left behind, I had no
hesitation in picking it up and folding it to fit within the pages of the
book. Of course it didn’t quite fit right but I
thought it was a chance worth taking because it was unlikely anyone would
notice. I knew I had no intention of returning it to my
young cousin unless I had to. On the return
charabanc journey to The Jolly Farmers I pretended to be asleep whilst Aunt Mag
berated Ann for her carelessness and said that would be the last time she would
get a programme and not to expect one at the Pantomime in January. My mother observed to Old Nan that it was
easy come easy go with that child and no mistake and she was never going to
learn the value of money if Mag had her way.
I produced the programme at school a few days later and the other children were interested because at that stage apart from me, only Peter Jackson had been to the circus and that one was called Chipperfields he told us. However, when I told Jacqueline Haskell and Betty Haddon at playtime that one of my uncles owned the circus and just as soon as I was old enough I was going to leave home and work for him they simply didn’t believe me and threatened to tell Mr Clarke that I was a liar. When I unwisely added that in fact one of the girls astride an elephant on the front cover of the programme was me because I was already in part time training they just laughed and I wished I hadn’t said it. I kept the programme at home under my mattress for a long time because I quite intended to run away to join a circus just as soon as the opportunity presented itself. It never did though.
No comments:
Post a Comment